i have a unique art style. i call it “i tried”
Set a man on fire, and he'll be warm for the rest of his life."
I like aquariums and drawing original things and dumb comics and sometimes fanart. go to the "About" button for more info, yo!
If you’re a person who says “oh i can’t draw, I’m not good at art” STOP THAT RIGHT NOW YOU CUTE PATOOT
Everyone improves over time! I strongly recommend drawing every day (it helps get that artist’s confidence, babe!)… its that simple!
Draw from life, draw from your dreams, draw your roommate in nothing but a towel bleeding from his forehead!!! If you don’t like how your drawings look with pencil, then try out markers, paints, brush pens, digital things, whatever tickles yo’ pickle!
ART IS REALLY RAD BUT VERY UNDERAPPRECIATED IN OUR TIME
I get sad every time people are discouraged from following what they love because of social or financial constraints (but this happened to me too, so I have no advice to help rid us of this issue) :/
Disclaimer: If you really don’t like art, then I recommend to take ONE class on art history (if you’re stone set on not creating) to really affirm your disliking. OR the alternative is to not follow any of this opinion post and idk man just live your life
In six seconds, you’ll hate me.
But in six months, you’ll be a better writer.
From this point forward—at least for the next half year—you may not use “thought” verbs. These include: Thinks, Knows, Understands, Realizes, Believes, Wants, Remembers, Imagines, Desires, and a hundred others you love to use.
The list should also include: Loves and Hates.
And it should include: Is and Has, but we’ll get to those later.
Until some time around Christmas, you can’t write: Kenny wondered if Monica didn’t like him going out at night…”
Instead, you’ll have to Un-pack that to something like: “The
mornings after Kenny had stayed out, beyond the last bus, until he’d had to bum a ride or pay for a cab and got home to find Monica faking sleep, faking because she never slept that quiet, those mornings, she’d only put her own cup of coffee in the microwave. Never his.”
Instead of characters knowing anything, you must now present the details that allow the reader to know them. Instead of a character wanting something, you must now describe the thing so that the reader wants it.
Instead of saying: “Adam knew Gwen liked him.” You’ll have to say: “Between classes, Gwen had always leaned on his locker when he’d go to open it. She’s roll her eyes and shove off with one foot, leaving a black-heel mark on the painted metal, but she also left the smell of her perfume. The combination lock would still be warm from her butt. And the next break, Gwen would be leaned there, again.”
In short, no more short-cuts. Only specific sensory detail: action, smell, taste, sound, and feeling.
Typically, writers use these “thought” verbs at the beginning of a paragraph (In this form, you can call them “Thesis Statements” and I’ll rail against those, later). In a way, they state the intention of the paragraph. And what follows, illustrates them.
“Brenda knew she’d never make the deadline. was backed up from the bridge, past the first eight or nine exits. Her cell phone battery was dead. At home, the dogs would need to go out, or there would be a mess to clean up. Plus, she’d promised to water the plants for her neighbor…”
Do you see how the opening “thesis statement” steals the thunder of what follows? Don’t do it.
If nothing else, cut the opening sentence and place it after all the others. Better yet, transplant it and change it to: Brenda would never make the deadline.
Thinking is abstract. Knowing and believing are intangible. Your story will always be stronger if you just show the physical actions and details of your characters and allow your reader to do the thinking and knowing. And loving and hating.
Don’t tell your reader: “Lisa hated Tom.”
Instead, make your case like a lawyer in court, detail by detail.
Present each piece of evidence. For example: “During roll call, in the breath after the teacher said Tom’s name, in that moment before he could answer, right then, Lisa would whisper-shout ‘Butt Wipe,’ just as Tom was saying, ‘Here’.”
One of the most-common mistakes that beginning writers make is leaving their characters alone. Writing, you may be alone. Reading, your audience may be alone. But your character should spend very, very little time alone. Because a solitary character starts thinking or worrying or wondering.
For example: Waiting for the bus, Mark started to worry about how long the trip would take…”
A better break-down might be: “The schedule said the bus would come by at noon, but Mark’s watch said it was already 11:57. You could see all the way down the road, as far as the Mall, and not see a bus. No doubt, the driver was parked at the turn-around, the far end of the line, taking a nap. The driver was kicked back, asleep, and Mark was going to be late. Or worse, the driver was drinking, and he’d pull up drunk and charge Mark seventy-five cents for death in a fiery traffic accident…”
A character alone must lapse into fantasy or memory, but even then you can’t use “thought” verbs or any of their abstract relatives.
Oh, and you can just forget about using the verbs forget and remember.
No more transitions such as: “Wanda remembered how Nelson used to brush her hair.”
Instead: “Back in their sophomore year, Nelson used to brush her hair with smooth, long strokes of his hand.”
Again, Un-pack. Don’t take short-cuts.
Better yet, get your character with another character, fast.
Get them together and get the action started. Let their actions and words show their thoughts. You—stay out of their heads.
And while you’re avoiding “thought” verbs, be very wary about using the bland verbs “is” and “have.”
“Ann’s eyes are blue.”
“Ann has blue eyes.”
“Ann coughed and waved one hand past her face, clearing the cigarette smoke from her eyes, blue eyes, before she smiled…”
Instead of bland “is” and “has” statements, try burying your details of what a character has or is, in actions or gestures. At its most basic, this is showing your story instead of telling it.
And forever after, once you’ve learned to Un-pack your characters, you’ll hate the lazy writer who settles for: “Jim sat beside the telephone, wondering why Amanda didn’t call.”
Please. For now, hate me all you want, but don’t use thought verbs. After Christmas, go crazy, but I’d bet money you won’t.
For this month’s homework, pick through your writing and circle every “thought” verb. Then, find some way to eliminate it. Kill it by Un-packing it.
Then, pick through some published fiction and do the same thing. Be ruthless.
“Marty imagined fish, jumping in the moonlight…”
“Nancy recalled the way the wine tasted…”
“Larry knew he was a dead man…”
Find them. After that, find a way to re-write them. Make them stronger.
Drew my OC Arni, whilst watching a film for my writing/culture class.
The film was on the scopes trials, but I drew pmuch the whole time so i’m not 100% solid on content……YOLO
Some Sunday sketches drawn whilst procrastinating for my chem midterm
This is a portrait of an artist, and the art you see behind him is no more. 5 Pointz was destroyed last night in a most cowardly fashion. A entire square block of art created through the lifeblood of hundreds of artists over the years is gone. It would almost have been more fitting had they demolished the buildings with the art intact, and let us see the pieces and the pieces of art among the rubble. Instead, the buildings are still standing, but were spray painted white in the middle of the night. I’m mourning over the loss of art. I’m mourning over a society that values condos over beauty. I am, however, taking solace in the fact that I was among the last few to see and capture 5 Pointz in its splendor before it was taken away. And that can never be destroyed.
EDIT: Because apparently some people aren’t familiar with 5 Pointz, this is not about condoning illegal graffiti and vandalism. The street art in 5 Pointz was not only legal, but condoned and supported by the owners and community. The artists needed to apply to be featured there, and only the best were. This is about art, the antithesis of vandalism.